November 27, 2011
Not really relevant to anything recent, but remember when Lil’ Wayne just went crazy in 2007 and murdered the whole rap game?  That was the shit.  

Not really relevant to anything recent, but remember when Lil’ Wayne just went crazy in 2007 and murdered the whole rap game?  That was the shit.  

November 9, 2011
Look, I can’t even respect somebody who doesn’t realize the genius of Drake’s new album. I could literally write a long-ass essay on why anyone who is a fan of hip-hop is obligated by definition to acknowledge the genius of Take Care.  But most people who would read it are too fucking stupid to warrant it.  Let’s just be satisfied (by us I mean smart people who click the Drake tag) knowing that we’re appreciating the best artist of our time at the moment he’s blessing us with the best music of the time.  Jesus if I had the balls to give it all up for a music career I’d be basing a fuckload of it off Drizzy… more than any other artist… and just watch… he’s gonna have a bigger influence on the next wave of artists than anybody else.  Guaranteed.  If you disagree you’re a dumbass motherfucker and I AIN’T reading whatever you have to say about your opinion cause it’s so damn wrong. 
Deuces

Look, I can’t even respect somebody who doesn’t realize the genius of Drake’s new album. I could literally write a long-ass essay on why anyone who is a fan of hip-hop is obligated by definition to acknowledge the genius of Take Care.  But most people who would read it are too fucking stupid to warrant it.  Let’s just be satisfied (by us I mean smart people who click the Drake tag) knowing that we’re appreciating the best artist of our time at the moment he’s blessing us with the best music of the time.  Jesus if I had the balls to give it all up for a music career I’d be basing a fuckload of it off Drizzy… more than any other artist… and just watch… he’s gonna have a bigger influence on the next wave of artists than anybody else.  Guaranteed.  If you disagree you’re a dumbass motherfucker and I AIN’T reading whatever you have to say about your opinion cause it’s so damn wrong. 

Deuces

November 7, 2011
WOW.  Too fucking unreal.  Literally within hours of me saying I’d erase half my iPod for a copy of Take Care, it leaks… unreal.  I ain’t gonna post a link but I’m sure you’re all bright enough to find it for yourselves… and from what I’ve *heard* only 16 of the 19 tracks are actually leaked.  Bizarre.  Not sure if I wanna hear ONLY 16 of them… 
PSYCH
Merry Christmas motherfuckers!!!!
PS I’m not actually deleting half my iPod… I’m gonna have my cake and eat it too.  Haha

WOW.  Too fucking unreal.  Literally within hours of me saying I’d erase half my iPod for a copy of Take Care, it leaks… unreal.  I ain’t gonna post a link but I’m sure you’re all bright enough to find it for yourselves… and from what I’ve *heard* only 16 of the 19 tracks are actually leaked.  Bizarre.  Not sure if I wanna hear ONLY 16 of them… 

PSYCH

Merry Christmas motherfuckers!!!!

PS I’m not actually deleting half my iPod… I’m gonna have my cake and eat it too.  Haha

November 1, 2011
 

1 Over My Dead Body02 Shot for Me03 Headlines04 Crew Love [ft. the Weeknd]05 Take Care [ft. Rihanna]06 Marvin’s Room07 Under Ground Kings08 We’ll Be fine09 Make Me Proud [ft. Nicki Minaj]10 Lord Knows [ft. Rick Ross]11 Cameras12 Doing It Wrong13 The Real Her [ft. Andre 3000 and Lil Wayne]14 Look What You’ve Done15 HYFR [ft. Lil Wayne]16 Practice17 The Ride18 Hate Sleeping Alone (Bonus)19 Untitled [ft. Lil Wayne] (Bonus)
Read more: http://www.businessinsider.com/drake-take-care-2011-10#ixzz1cT628COn
This is the tracklist for Take Care.  I’m creaming myself right now with anticipation.  But I’m actually kinda shocked “Club Paradise” isn’t on it.  That is my favorite Drake song of 2011 including “I’m On One” and “Marvins Room.”  The only conclusion I can draw is that this is the best fucking album of the year by miles and miles (except House Of Balloons).  Also… RIHANNA’S ON THE TITLE TRACK!  Victory.  What else can I say.  November 15 hurry the motherfuck up

1 Over My Dead Body
02 Shot for Me
03 Headlines
04 Crew Love [ft. the Weeknd]
05 Take Care [ft. Rihanna]
06 Marvin’s Room
07 Under Ground Kings
08 We’ll Be fine
09 Make Me Proud [ft. Nicki Minaj]
10 Lord Knows [ft. Rick Ross]
11 Cameras
12 Doing It Wrong
13 The Real Her [ft. Andre 3000 and Lil Wayne]
14 Look What You’ve Done
15 HYFR [ft. Lil Wayne]
16 Practice
17 The Ride
18 Hate Sleeping Alone (Bonus)
19 Untitled [ft. Lil Wayne] (Bonus)



Read more: http://www.businessinsider.com/drake-take-care-2011-10#ixzz1cT628COn

This is the tracklist for Take Care.  I’m creaming myself right now with anticipation.  But I’m actually kinda shocked “Club Paradise” isn’t on it.  That is my favorite Drake song of 2011 including “I’m On One” and “Marvins Room.”  The only conclusion I can draw is that this is the best fucking album of the year by miles and miles (except House Of Balloons).  Also… RIHANNA’S ON THE TITLE TRACK!  Victory.  What else can I say.  November 15 hurry the motherfuck up

September 13, 2011
The Greatest Of All Time: 2Pac references and homages in the lyrics of the best rappers in the game:
Drake - “Ignant Shit”: Drizzy is without a doubt the only rapper alive under 25 (the age at which Pac died) who is anywhere near Pac’s stratosphere in terms of fame and success.  In this (excellent) verse off So Far Gone, Drake promises to honor Tupac’s legacy by refusing to compromise on the quality or the controversy of his music (not sure I buy the Illuminati reference tho RapGenius). “Still spitting that shit that they shot Pac over”
Eminem - “Just Don’t Give A Fuck”: Anyone who doesn’t know the Greatest Rapper of All Time’s influence on the Greatest White Rapper of All Time doesn’t need to look any further than the chorus of Shady’s debut single.  “When you see me on your block with 2 glocks screamin’ ‘Fuck the world’ like 2Pac/I just don’t give a fuck”
Fabolous - “Can’t Deny It”: Fab was pre-ordained to be the next great Brooklyn MC in the line of Biggie and Jay-Z, but for his breakout single, he jacked his whole chorus from the first track on Pac’s All Eyez On Me.  “I can’t deny it, I’m straight rider/You don’t wanna fuck with me”
50 Cent - “In Da Club”: 50 is one of the biggest Pac fans among famous rappers in the 21st century.  He lets us know his aspirations in the rap game on the super-massive single from his Aftermath debut album, Get Rich Or Die Tryin’. “In the hood, in L.A. they saying ‘50 you hot’/They like me, I want ‘em to love me like they love ‘Pac”
Game - “Hate It Or Love It”: Game is the most notorious name-dropper in rap, and as a West Coast MC, it should surprise absolutely no one to find a Pac reference on one of the disc’s singles. “Pac is gone and Brenda still throwin’ babies in the garbage”
Gucci Mane - “Worst Enemy”: Gucci Mane explains, ever so poetically, that first 2Pac died, then Biggie died, and that greatly impacted him.  “First 2Pac died, then Biggie died/And that greatly impacted me”
Jay-Z - “‘03 Bonnie & Clyde”: No one references Biggie more than Shawn Carter, but this Pac homage trumps any individual Big quote he ever dropped in terms of sheer magnitude.  The entire song is based on 2Pac’s “Me And My Girlfriend,” from the first line Jay spits to the chorus he duets with his girlfriend (at the time) Beyonce.  Fun fact: the track was produced by a then-(relatively)-unknown Kanye West.  “All I need in this life of sin is me and my girlfriend/Down the ride to the very end it’s me and my boyfriend”
J. Cole - “Enchanted”: Like Weezy, Cole loves dropping his Pac lyrics and has even tweeted that “Pac the greatest” (I think he did it again today).  The chorus for this track off Cole’s third mixtape is a slightly modified version of the chorus from Pac’s “Hail Mary.” “Come with me/Run quick see what do we have here now/Do you wanna ride or die/La da da dadada”
Kanye West - “Family Business”: If the “‘03 Bonnie & Clyde” production credit wasn’t enough to convince you of Kanye’s love for Mr. Shakur, check the “Ambitionz Az A Ridah” quote on the penultimate track of Yeezy’s debut album. “I can’t deny it, I’m a straight rider”
Lil’ Wayne - “Right Above It”: Weezy’s “Fuck the world” references could out number the pages in the Bible, but for the sake of brevity, we’ll go with his bite of arguably Pac’s famous “Hail Mary” lyric at the end of his first verse on “Right Above It.” “I ain’t a killer, but don’t push me”
Rick Ross - “Tupac Back”: If you need this explained… “What the fuck, is you stupid?” Tupac back, Tupac back/There’s all these bitches screaming that Tupac back/All Eyez On Me, better Picture Me Rollin’/Buying brand new rims, but these bitches is stolen/Stranded on Death Row, Brenda having my baby/But I’m stacking my paper, I need a brand new Mercedes/They screaming Tupac back, Tupac back/There’s all these bitches screaming that Tupac back”
Waka Flocka Flame - Flockaveli: Waka named his debut album after the new stage name, Makaveli, that Tupac adopted for his last studio album.
Young Jeezy - “Unforgettable”: Jeezy’s “realest flow ever” features a 2-bar shout out to the realest MC ever. “The closest you’re gon get to this is a Pac t-shirt/The name’s Young baby, you know I live that Thug Life”
RIP Tupac Shakur.  Truly lives on thru the music.
Deuces

The Greatest Of All Time: 2Pac references and homages in the lyrics of the best rappers in the game:

Drake - “Ignant Shit”: Drizzy is without a doubt the only rapper alive under 25 (the age at which Pac died) who is anywhere near Pac’s stratosphere in terms of fame and success.  In this (excellent) verse off So Far Gone, Drake promises to honor Tupac’s legacy by refusing to compromise on the quality or the controversy of his music (not sure I buy the Illuminati reference tho RapGenius). “Still spitting that shit that they shot Pac over”

Eminem - “Just Don’t Give A Fuck”: Anyone who doesn’t know the Greatest Rapper of All Time’s influence on the Greatest White Rapper of All Time doesn’t need to look any further than the chorus of Shady’s debut single.  “When you see me on your block with 2 glocks screamin’ ‘Fuck the world’ like 2Pac/I just don’t give a fuck”

Fabolous - “Can’t Deny It”: Fab was pre-ordained to be the next great Brooklyn MC in the line of Biggie and Jay-Z, but for his breakout single, he jacked his whole chorus from the first track on Pac’s All Eyez On Me“I can’t deny it, I’m straight rider/You don’t wanna fuck with me”

50 Cent - “In Da Club”: 50 is one of the biggest Pac fans among famous rappers in the 21st century.  He lets us know his aspirations in the rap game on the super-massive single from his Aftermath debut album, Get Rich Or Die Tryin’. “In the hood, in L.A. they saying ‘50 you hot’/They like me, I want ‘em to love me like they love ‘Pac”

Game - “Hate It Or Love It”: Game is the most notorious name-dropper in rap, and as a West Coast MC, it should surprise absolutely no one to find a Pac reference on one of the disc’s singles. “Pac is gone and Brenda still throwin’ babies in the garbage”

Gucci Mane - “Worst Enemy”: Gucci Mane explains, ever so poetically, that first 2Pac died, then Biggie died, and that greatly impacted him.  “First 2Pac died, then Biggie died/And that greatly impacted me”

Jay-Z - “‘03 Bonnie & Clyde”: No one references Biggie more than Shawn Carter, but this Pac homage trumps any individual Big quote he ever dropped in terms of sheer magnitude.  The entire song is based on 2Pac’s “Me And My Girlfriend,” from the first line Jay spits to the chorus he duets with his girlfriend (at the time) Beyonce.  Fun fact: the track was produced by a then-(relatively)-unknown Kanye West.  “All I need in this life of sin is me and my girlfriend/Down the ride to the very end it’s me and my boyfriend”

J. Cole - “Enchanted”: Like Weezy, Cole loves dropping his Pac lyrics and has even tweeted that “Pac the greatest” (I think he did it again today).  The chorus for this track off Cole’s third mixtape is a slightly modified version of the chorus from Pac’s “Hail Mary.” “Come with me/Run quick see what do we have here now/Do you wanna ride or die/La da da dadada”

Kanye West - “Family Business”: If the “‘03 Bonnie & Clyde” production credit wasn’t enough to convince you of Kanye’s love for Mr. Shakur, check the “Ambitionz Az A Ridah” quote on the penultimate track of Yeezy’s debut album. “I can’t deny it, I’m a straight rider”

Lil’ Wayne - “Right Above It”: Weezy’s “Fuck the world” references could out number the pages in the Bible, but for the sake of brevity, we’ll go with his bite of arguably Pac’s famous “Hail Mary” lyric at the end of his first verse on “Right Above It.” “I ain’t a killer, but don’t push me

Rick Ross - “Tupac Back”: If you need this explained… “What the fuck, is you stupid?” Tupac back, Tupac back/There’s all these bitches screaming that Tupac back/All Eyez On Me, better Picture Me Rollin’/Buying brand new rims, but these bitches is stolen/Stranded on Death Row, Brenda having my baby/But I’m stacking my paper, I need a brand new Mercedes/They screaming Tupac back, Tupac back/There’s all these bitches screaming that Tupac back”

Waka Flocka Flame - Flockaveli: Waka named his debut album after the new stage name, Makaveli, that Tupac adopted for his last studio album.

Young Jeezy - “Unforgettable”: Jeezy’s “realest flow ever” features a 2-bar shout out to the realest MC ever. “The closest you’re gon get to this is a Pac t-shirt/The name’s Young baby, you know I live that Thug Life”

RIP Tupac Shakur.  Truly lives on thru the music.

Deuces

September 1, 2011
Jay-Z’s Notorious B.I.G. Quote of the Day: Jay’s “What More Can I Say,” Big’s “Unfoolish,” tremendous talent, and presence in Jay’s lyrics
Well, with all the Jay-Z bashing I alluded to in the J. Cole post, I started cranking The Black Album to assure myself of my sanity.  But of course I get 2 tracks in and realize I haven’t done in an entry in this series for awhile.  Now, I’m gonna save that quote for another day, cause “What More Can I Say” just started kicking my earbuds’ ass and there’s a pretty relevant line here given our circumstances here.
Jay: “I’m not a biter, I’m a writer for myself and others/I say a Big verse I’m only biggin’ up my brother/Biggin’ up my borough, I’m big enough to do it/I’m that thorough, plus I know my own flow is foolish”
Grade: Well, this is pretty much Jay’s eight years in advance response to anyone who’d criticize him for using too many Big lyrics.  He’s saying that he’s not ripping off the lyrics, he’s paying tribute to Biggie and keep him in the minds of his listeners, as well as repping Brooklyn, where they both grew up.  The reason he can do this is because his own talent and reputation is BIG enough to (get it? HA).  The last line is a reference to the remix of Ashanti’s “Foolish” that posthumously sampled Big’s “One More Chance” remix lyrics.  The little quatrain also points out that Jay has ghostwritten some pretty hot verses, like Dr. Dre’s “Still D.R.E.” (He should brag: “niggas tryin’ to be the king, but the ace is back” hot fuckin’ damn!).  It’s also worth pointing out that the whole song “What More Can I Say” is entirely about how Jay just shits on everyone else in every way, leaving him nothing more to accomplish in rap but to retire, which is pretty fuckin’ badass even if it’s a big of an exaggeration (Em is more skilled and more popular but Em is always the exception isn’t he?).  But at the end of day, Jay still is pretty much right on point when he says that other rappers dissing him for using Big lyrics is ridiculous because even without the Big lyrics he murders them (also should mention that both T.I. and Wayne have either sampled or quoted this song, if it needs any more validation for you).  That’s some fuckin’ “Biggie Smalls type kill every rapper who challenges me” swag.  So this for sure gets a “B.I.G.” out of B.I.G.
Deuces

Jay-Z’s Notorious B.I.G. Quote of the Day: Jay’s “What More Can I Say,” Big’s “Unfoolish,” tremendous talent, and presence in Jay’s lyrics

Well, with all the Jay-Z bashing I alluded to in the J. Cole post, I started cranking The Black Album to assure myself of my sanity.  But of course I get 2 tracks in and realize I haven’t done in an entry in this series for awhile.  Now, I’m gonna save that quote for another day, cause “What More Can I Say” just started kicking my earbuds’ ass and there’s a pretty relevant line here given our circumstances here.

Jay: “I’m not a biter, I’m a writer for myself and others/I say a Big verse I’m only biggin’ up my brother/Biggin’ up my borough, I’m big enough to do it/I’m that thorough, plus I know my own flow is foolish”

Grade: Well, this is pretty much Jay’s eight years in advance response to anyone who’d criticize him for using too many Big lyrics.  He’s saying that he’s not ripping off the lyrics, he’s paying tribute to Biggie and keep him in the minds of his listeners, as well as repping Brooklyn, where they both grew up.  The reason he can do this is because his own talent and reputation is BIG enough to (get it? HA).  The last line is a reference to the remix of Ashanti’s “Foolish” that posthumously sampled Big’s “One More Chance” remix lyrics.  The little quatrain also points out that Jay has ghostwritten some pretty hot verses, like Dr. Dre’s “Still D.R.E.” (He should brag: “niggas tryin’ to be the king, but the ace is back” hot fuckin’ damn!).  It’s also worth pointing out that the whole song “What More Can I Say” is entirely about how Jay just shits on everyone else in every way, leaving him nothing more to accomplish in rap but to retire, which is pretty fuckin’ badass even if it’s a big of an exaggeration (Em is more skilled and more popular but Em is always the exception isn’t he?).  But at the end of day, Jay still is pretty much right on point when he says that other rappers dissing him for using Big lyrics is ridiculous because even without the Big lyrics he murders them (also should mention that both T.I. and Wayne have either sampled or quoted this song, if it needs any more validation for you).  That’s some fuckin’ “Biggie Smalls type kill every rapper who challenges me” swag.  So this for sure gets a “B.I.G.” out of B.I.G.

Deuces

August 31, 2011

In honor of complex.com naming this the best song of summer 2011.  DRIZZY!

August 30, 2011
“My album projected to sell 300,000 more copies than Watch The Throne?” *Wayne giggle* “If haters wanna keep hatin’ then let ‘em” *more Wayne giggle*

“My album projected to sell 300,000 more copies than Watch The Throne?” *Wayne giggle* “If haters wanna keep hatin’ then let ‘em” *more Wayne giggle*

August 26, 2011
Tha Carter IV is *almost* out.  To celebrate, let’s take a little trip down memory lane, and in the tradition of Top Ten Songs Featuring Drake, let’s honor the tracks of others that Weezy F. Baby has immeasruably improved by gracing them with his presence.  Without further ado, I bring to you…
The Top Ten Songs Featuring Lil’ Wayne:
10. Back That Azz Up (Juvenile)/Bling Bling (B.G.): Right off the bat, I’m cheating and putting 2 songs in 1 spot.  But how can you choose the best of these 2 songs from Lil’ Wayne’s days as a 17-year-old goblin hopping all over his big brothers records? You can’t, so fuck it. 
Best line: “DROP IT LIKE IT’S HOT/BLING BLING!!!!”
9. Down (Jay Sean): I’m pretty sure that Jay Sean has the most generic lyrics of all time by far.  Like, Jay Sean is to generic lyrics what Lil’ Wayne is to rapping about things that start with the letter F.  So Wayne’s verse looks even better by comparison. 
Best line: “Honestly, I’m down like the economy”
8. 4 My Town (Play Ball) (Birdman, also feat. Drake): I originally left this one off Drake’s list, but then edited the “Money To Blow” entry to include it.  Drake completely owns “MTB,” but it’s Weezy who has the best verse on “4 My Town.”  Two fucking awesome lines about Ben Franklin and the peace sign.
Best line(s): “It’s Young Money like Ben Frank’s baby pictures” and “The peace sign is just the trigger and the middle finger”
7. Let It Rock (Kevin Rudolf): Remember Kevin Rudolf?  He’s one of those singers you never would’ve heard of if not for Lil’ Wayne.  This song probably played some part in convincing Wayne that he could play rock ‘n’ roll, so there’s good reason to hate it.  But then you listen to it and think of Jacoby Ellsbury hitting a leadoff bomb off AJ Burnett and it’s all good. 
Best line: “I can dick you up, I can dick you down” (ugh… that’s nasty)
6. I’m Goin’ In (Drake, also feat. Young Jeezy): Does Wayne have the best flow on this track?  Absolutely not, but it’s way too fuckin’ badass to leave off, and that chorus would’ve sounded fuckin’ lame as shit if anyone in the world without his Chuck E. Cheese snarl (I’m going IIIINNNNN!!!). 
Best line: “Bitch named Crystal, let her suck my pistol/She opened up her mouth and then I blew her brains out”
5. Ignant Shit (Drake): It was pretty hard to not have this whole list just be Drake songs, cause Wayne really seems to kill it when he’s in the booth with Drizzy (a top 10 Wayne-Drake duets list in the future? Perhaps…).  Weezy absolutely kills it on this one, right before he went away for 8 months on a gun charge.  He shoulda taken probation…
Best line: “You can suck my wings/Stand on my money, head butt Yao Ming”
4. You (Lloyd): This is one of the most underrated records of the past decade. I feel like if you put it on when you’re alone with a chick it’s like you HAVE to hook up just to you don’t dishonor the song.  Also, you would never have heard of Lloyd if not for Wayne getting on it. 
Best line: “Right off the back ma, the boy got dollars/The women come frequent like flight mileage”
3. Miss Me (Drake): Wayne’s management did a wicked good job of keeping him relevant while he was in prison (it felt like he never left), the highlight being the bit hit “Right Above It” with Drake off the otherwise-shitty I Am Not A Human Being.  But really, all they needed to keep Weezy at the top was his verse on this song, his big triumph before heading to Riker’s.  In fact, I’d say this is probably his best verse since Tha Carter III.  Fuck-in’ fi-re. 
Best line: The whole fuckin’ thing (but if I have to pick one part: “I walk light, so I don’t piss the ground off/And I swear my bitches do it til the suck the brown off/Ugh, that’s nasty”
2. Pop Bottles (Birdman): Probably the best example of Wayne singlehandedly turning a song from shitty to amazing all by himself.  I mean, Birdman blows on it.  Like fucking hard too.  But it’s still a fuckin’ classic banger four years later because Wayne just absolutely destroyed it back when he was regularly destroying everything he came in contact with back in 2007.  If you DON’T know all the words to Wayne’s verse, get the fuck out of here. 
Best line: “Start with straight shots and then pop bottles/Pour it on the models, shut up bitch, swallow/If you can’t swallow, shut up bitch, gargle”
1. We Takin’ Over (DJ Khaled, also feat. Akon, T.I., Rick Ross, Fat Joe & Birdman): The hands-down greatest Wayne feature of all time.  Released at the height of his power back in ‘07, this track solidified Wayne’s place at the time as the hottest MC in the game.  Recruited onto a track that featured three of the biggest names in the game (plus Fat Joe and Birdman), Wayne was given the last verse that even got its own intro verse from Birdman talking about how Wayne was the new king of rap.  And saying Wayne kills it is the understatement of the century.  Wayne does to this song what Sherman did to Atlanta.  What Genghis Khan did to Asia.  What Tom Brady does to NFL defenses.  Legendary slaughter.
Best line: All of them.  But the first two lines are a pretty good summary: “I am the beast/Feed me rappers or feed me beats”
Questions? Comments? Complaints?  Bring ‘em.
Deuces

Tha Carter IV is *almost* out.  To celebrate, let’s take a little trip down memory lane, and in the tradition of Top Ten Songs Featuring Drake, let’s honor the tracks of others that Weezy F. Baby has immeasruably improved by gracing them with his presence.  Without further ado, I bring to you…

The Top Ten Songs Featuring Lil’ Wayne:

10. Back That Azz Up (Juvenile)/Bling Bling (B.G.): Right off the bat, I’m cheating and putting 2 songs in 1 spot.  But how can you choose the best of these 2 songs from Lil’ Wayne’s days as a 17-year-old goblin hopping all over his big brothers records? You can’t, so fuck it. 

Best line: “DROP IT LIKE IT’S HOT/BLING BLING!!!!”

9. Down (Jay Sean): I’m pretty sure that Jay Sean has the most generic lyrics of all time by far.  Like, Jay Sean is to generic lyrics what Lil’ Wayne is to rapping about things that start with the letter F.  So Wayne’s verse looks even better by comparison. 

Best line: “Honestly, I’m down like the economy”

8. 4 My Town (Play Ball) (Birdman, also feat. Drake): I originally left this one off Drake’s list, but then edited the “Money To Blow” entry to include it.  Drake completely owns “MTB,” but it’s Weezy who has the best verse on “4 My Town.”  Two fucking awesome lines about Ben Franklin and the peace sign.

Best line(s): “It’s Young Money like Ben Frank’s baby pictures” and “The peace sign is just the trigger and the middle finger”

7. Let It Rock (Kevin Rudolf): Remember Kevin Rudolf?  He’s one of those singers you never would’ve heard of if not for Lil’ Wayne.  This song probably played some part in convincing Wayne that he could play rock ‘n’ roll, so there’s good reason to hate it.  But then you listen to it and think of Jacoby Ellsbury hitting a leadoff bomb off AJ Burnett and it’s all good. 

Best line: “I can dick you up, I can dick you down” (ugh… that’s nasty)

6. I’m Goin’ In (Drake, also feat. Young Jeezy): Does Wayne have the best flow on this track?  Absolutely not, but it’s way too fuckin’ badass to leave off, and that chorus would’ve sounded fuckin’ lame as shit if anyone in the world without his Chuck E. Cheese snarl (I’m going IIIINNNNN!!!). 

Best line: “Bitch named Crystal, let her suck my pistol/She opened up her mouth and then I blew her brains out”

5. Ignant Shit (Drake): It was pretty hard to not have this whole list just be Drake songs, cause Wayne really seems to kill it when he’s in the booth with Drizzy (a top 10 Wayne-Drake duets list in the future? Perhaps…).  Weezy absolutely kills it on this one, right before he went away for 8 months on a gun charge.  He shoulda taken probation…

Best line: “You can suck my wings/Stand on my money, head butt Yao Ming”

4. You (Lloyd): This is one of the most underrated records of the past decade. I feel like if you put it on when you’re alone with a chick it’s like you HAVE to hook up just to you don’t dishonor the song.  Also, you would never have heard of Lloyd if not for Wayne getting on it. 

Best line: “Right off the back ma, the boy got dollars/The women come frequent like flight mileage”

3. Miss Me (Drake): Wayne’s management did a wicked good job of keeping him relevant while he was in prison (it felt like he never left), the highlight being the bit hit “Right Above It” with Drake off the otherwise-shitty I Am Not A Human Being.  But really, all they needed to keep Weezy at the top was his verse on this song, his big triumph before heading to Riker’s.  In fact, I’d say this is probably his best verse since Tha Carter III.  Fuck-in’ fi-re. 

Best line: The whole fuckin’ thing (but if I have to pick one part: “I walk light, so I don’t piss the ground off/And I swear my bitches do it til the suck the brown off/Ugh, that’s nasty”

2. Pop Bottles (Birdman): Probably the best example of Wayne singlehandedly turning a song from shitty to amazing all by himself.  I mean, Birdman blows on it.  Like fucking hard too.  But it’s still a fuckin’ classic banger four years later because Wayne just absolutely destroyed it back when he was regularly destroying everything he came in contact with back in 2007.  If you DON’T know all the words to Wayne’s verse, get the fuck out of here. 

Best line: “Start with straight shots and then pop bottles/Pour it on the models, shut up bitch, swallow/If you can’t swallow, shut up bitch, gargle”

1. We Takin’ Over (DJ Khaled, also feat. Akon, T.I., Rick Ross, Fat Joe & Birdman): The hands-down greatest Wayne feature of all time.  Released at the height of his power back in ‘07, this track solidified Wayne’s place at the time as the hottest MC in the game.  Recruited onto a track that featured three of the biggest names in the game (plus Fat Joe and Birdman), Wayne was given the last verse that even got its own intro verse from Birdman talking about how Wayne was the new king of rap.  And saying Wayne kills it is the understatement of the century.  Wayne does to this song what Sherman did to Atlanta.  What Genghis Khan did to Asia.  What Tom Brady does to NFL defenses.  Legendary slaughter.

Best line: All of them.  But the first two lines are a pretty good summary: “I am the beast/Feed me rappers or feed me beats”

Questions? Comments? Complaints?  Bring ‘em.

Deuces

August 25, 2011
Jay’s Notorious B.I.G. Quote of the Day: Jay’s “Mr. Carter,” Big’s “Kick in the Door,” girl he was sleeping with, and overall awesomeness
Well, since so many people couldn’t handle what I said about Jay-Z and Lil’ Wayne this morning, I thought, what’s a better verse for today’s installment than the Weezy-Jigga collaboration “Mr. Carter” off Tha Carter III, on which the pair take turns giving props to each other, and of course, the late great Notorious B.I.G. 
Big: “This goes out to those who choose to use/Disrespectful views on the King of NY”
Jay: “I’m right here in my chair/With my crown and my dear/Queen B…Now my name’s being mentioned with the martyrs/The Biggie’s and the Pac’s”
Grade: A lot of background info needed for this one.  First off, the “King of NY” moniker was Big’s, and pissed off a few people back in the 90’s (Nas, Raekwon and Ghostface Killah specifically).  It goes hand-in-hand with his self-bestowed “Black Frank White” nickname, Frank White being the title character in a movie titled, you guessed it, The King of New York.  “Kick In The Door” was Big’s response to disses made by Nas, Rae and Ghost in the wake of Biggie appearing on the cover of The Source, the headline reading “The King of New York.”   There’s also this very famous picture of Biggie wearing a crown.  So is Jay basically calling himself the modern-day Biggie with that opening lyric?  Don’t judge yet.  The next line: Queen B, refers of course to Beyonce, right?  Of course, but Beyonce was not the first “Queen Bee” in hip-hop.  That would be *drumroll* Lil’ Kim, the female MC on Bad Boy Records and the chick with whom Biggie cheated on his wife!  In fact, Lil’ Kim, who often refers to herself as “The Notorious K.I.M.” probably uses more Biggie lyrics in her raps than Jay does, but that’s not the point.  These 2 and a half lines seem to have too much to do with Big’s history to not be referencing him, but in case you are still in disbelief, Jay brags about being mentioned in the same sentence with Biggie, so it’s somewhat of a moot point anyway. 
Also check out the line where Jay calls Wayne “his heir,” a compliment Wayne repays by ending his last verse with “next time you mention Biggie, Pac or Jay-Z/Don’t forget Weezy Baby,” which not only references Jay’s verse, but basically elevates Jay to the Biggie level and then Wayne to Jay’s previous level.  If that makes sense.  Either way, definitely more complimentary than saying he’s gonna kidnap Beyonce.  For the contrast between a very esoteric and blatantly obvious reference, paid tribute to within the same song by Wayne, this Big references gets the full “B.I.G.” out of B.I.G.
Deuces

Jay’s Notorious B.I.G. Quote of the Day: Jay’s “Mr. Carter,” Big’s “Kick in the Door,” girl he was sleeping with, and overall awesomeness

Well, since so many people couldn’t handle what I said about Jay-Z and Lil’ Wayne this morning, I thought, what’s a better verse for today’s installment than the Weezy-Jigga collaboration “Mr. Carter” off Tha Carter III, on which the pair take turns giving props to each other, and of course, the late great Notorious B.I.G. 

Big: “This goes out to those who choose to use/Disrespectful views on the King of NY”

Jay: “I’m right here in my chair/With my crown and my dear/Queen B…Now my name’s being mentioned with the martyrs/The Biggie’s and the Pac’s”

Grade: A lot of background info needed for this one.  First off, the “King of NY” moniker was Big’s, and pissed off a few people back in the 90’s (Nas, Raekwon and Ghostface Killah specifically).  It goes hand-in-hand with his self-bestowed “Black Frank White” nickname, Frank White being the title character in a movie titled, you guessed it, The King of New York.  “Kick In The Door” was Big’s response to disses made by Nas, Rae and Ghost in the wake of Biggie appearing on the cover of The Source, the headline reading “The King of New York.”   There’s also this very famous picture of Biggie wearing a crown.  So is Jay basically calling himself the modern-day Biggie with that opening lyric?  Don’t judge yet.  The next line: Queen B, refers of course to Beyonce, right?  Of course, but Beyonce was not the first “Queen Bee” in hip-hop.  That would be *drumroll* Lil’ Kim, the female MC on Bad Boy Records and the chick with whom Biggie cheated on his wife!  In fact, Lil’ Kim, who often refers to herself as “The Notorious K.I.M.” probably uses more Biggie lyrics in her raps than Jay does, but that’s not the point.  These 2 and a half lines seem to have too much to do with Big’s history to not be referencing him, but in case you are still in disbelief, Jay brags about being mentioned in the same sentence with Biggie, so it’s somewhat of a moot point anyway. 

Also check out the line where Jay calls Wayne “his heir,” a compliment Wayne repays by ending his last verse with “next time you mention Biggie, Pac or Jay-Z/Don’t forget Weezy Baby,” which not only references Jay’s verse, but basically elevates Jay to the Biggie level and then Wayne to Jay’s previous level.  If that makes sense.  Either way, definitely more complimentary than saying he’s gonna kidnap Beyonce.  For the contrast between a very esoteric and blatantly obvious reference, paid tribute to within the same song by Wayne, this Big references gets the full “B.I.G.” out of B.I.G.

Deuces

August 25, 2011
Tha Carter IV leaked last night.  Or so I’ve heard *wink wink*.  Also, “How To Love” video came out.  Big day for Weezy F. Baby. 

Tha Carter IV leaked last night.  Or so I’ve heard *wink wink*.  Also, “How To Love” video came out.  Big day for Weezy F. Baby. 

August 18, 2011
So apparently Lil’ Wayne saw my post about Pauly D signing to G-Unit yesterday, because Young Money went out and signed their own white Paul, the iceman Paul Wall.  You probably remember confusing him for George Foreman in the past due to his history of selling everybody grillz. 
Smart move here by Weezy.  50 goes out and gets a white dude who’s used up about 11 of his 15 minutes of fame, you go out and get a guy whose 15 minutes ended like 4 years ago.  You know what that means.  Brand new 15 minutes.  Plus, he’s automatically the 4th-most famous person on Young Money, and there’s no chance in Hell he ever catches Wayne, Drake or Nicki.  He’s like the white Mario Chalmers of rap in a way. 
Can’t wait to see which white guy named Paul Jay-Z signs now.
Deuces

So apparently Lil’ Wayne saw my post about Pauly D signing to G-Unit yesterday, because Young Money went out and signed their own white Paul, the iceman Paul Wall.  You probably remember confusing him for George Foreman in the past due to his history of selling everybody grillz. 

Smart move here by Weezy.  50 goes out and gets a white dude who’s used up about 11 of his 15 minutes of fame, you go out and get a guy whose 15 minutes ended like 4 years ago.  You know what that means.  Brand new 15 minutes.  Plus, he’s automatically the 4th-most famous person on Young Money, and there’s no chance in Hell he ever catches Wayne, Drake or Nicki.  He’s like the white Mario Chalmers of rap in a way. 

Can’t wait to see which white guy named Paul Jay-Z signs now.

Deuces

August 13, 2011

“She Will” by Weezy and Drizzy, off Carter IV.  I’m sure you’ve already heard it if you give a shit, but I gotta post this anyway.  Cause this is amazing shit.  Mhm

August 10, 2011
Lil’ Wayne is set to release a new song featuring Drake off Tha Carter IV called “She Will” sometime today or tomorrow.  My pants are bulging with delight. 
As much as I love Kanye, Jay-Z and Watch The Throne, Weezy F. Baby and Drizzy Drake are mostdef Vandy 311’s favorite rap tag-team.  YMCMB mafucka

Lil’ Wayne is set to release a new song featuring Drake off Tha Carter IV called “She Will” sometime today or tomorrow.  My pants are bulging with delight. 

As much as I love Kanye, Jay-Z and Watch The Throne, Weezy F. Baby and Drizzy Drake are mostdef Vandy 311’s favorite rap tag-team.  YMCMB mafucka

August 9, 2011
Watch The Throne obviously came out yesterday, and after listening to it, one of my friends sent out a tweet wondering who would have the throne “ten years from now the way Jay and Kanye have for the past 10 years.”  It got me thinking about who the best rappers of the last 10 years actually are.  And it ended up in a top 10 list.  Swag. 
How I made this list: Rappers were only judged on what they did in the past 10 years, since August 2001.  Important factors were how many records they sold, how much radio play they got, how much they influenced the rest of the game, and of course, a little bit of my own opinion.  Anyway, without further ado…
The Top 10 Rappers Of The Past 10 Years:
10. Drake: Right off the bat, I know this could be controversial.  Even tho he’s been releasing mixtapes since 2005, he’s only been relevant since 2009, when So Far Gone came out.  But goddamn has he been dominant in these past 3 years.  He had two legit hits off a mixtape, including the colossal “Best I Ever Had.”  He got an instant co-sign from three of rap’s titans on another big hit, “Forever,” on which he more than held his own.  He was featured on a slew of other hit singles, including “Money To Blow” and “Say Something,” and this was all before his album even dropped.  And oh shit what a release.  Thank Me Later was the best and most popular rap debut album since Kanye West’s The College Dropout in 2004.  Besides selling shitloads of copies, the CD had four legit hit singles that dominated the radio all summer.  Those hot features didn’t stop either: “Un-Thinkable,” “Right Above It,” “Aston Martin Music,” “What’s My Name?,” “Deuces (Remix)” and “I’m On One,” to name a few.  And even tho Drizzy’s only been a major player for a little bit, he’s already made his presence felt on the work of his piers.  He’s the main reason that The Weeknd is currently blowing up, and fellow new schoolers J. Cole and Big Sean make references to him repeatedly in their verses.  MTV named Drizzy the #3 Hottest MC in the Game in 2009 and #4 in 2010, so there’s no denying his importance since he’s blown up.  The only reason he’s so low is that he’s still a new-comer compared to the guys above him on the list.  With the release of Take Care looming in October and some of those dudes seeing their stars fading, however, Drizzy is better poised to make a run up this list than anyone else in rap.  (PS I promise most entries won’t be this long; this was just the one that needed the most explanation)
9. Nelly: Remember Nelly?  The guy who was battling with Eminem nine years ago to be the most popular rapper on the planet?  Well, needless to say, his luster has lost some of its shine.  He’s released five albums since 2001, but each has sold less than the one before it.  Likewise, he had four humongous hits in 2002 and ‘03 (“Hot In Herre,” “Dilemma,” “Air Force Ones,” “Shake Ya Tailfeather”) but only four since (“My Place,” “Over And Over,” “Grillz,” “Just A Dream”).  People have pretty much ceased to seek him out as a featured artist (Drake certainly wrecks him in this category already).  There aren’t exactly many guys out there today quoting him in their lyrics or even sounding much like him (CuDi’s really the closest one, bizarrely).  He’s been completely absent from MTV’s Hottest MCs list since its inception in ‘07 if that gives you any perspective.  But still, 10 times platinum is 10 times platinum, which is what he’s gone since 2001. 
8. Fabolous: Fab’s first album came out in September 2001 (the same day as The Blueprint and 9/11 actually) so he really benefits from the timing of this list more than anyone.  He’s never been in contention for best rapper alive, but all five of his albums peaked as high or higher than the one before it (his last one hit #1) and he’s also produced a string of consistent hits.  He also is a major player on the mixtape circuit, with There Is No Competition 2 being arguably the best of 2010 (I put it #2 after Friday Night Lights).  He’s not the most in-demand features artist, but he’s still popped up on a few notable hits, like “Say Aah” and “Deuces (Remix).”  Given the trajectory of his career I can see him moving up above the next guy after the release of Loso’s Way 2, but not much higher.  He’s clocked in once on MTV’s Hottest MCs list, at #8 in ‘09, but expect him to return when they release the next one.  I think he’s among the most under-appreciated guys in the game. 
7. T.I.: I originally had him and Fab reversed, but I moved Tip up when I looked at how his albums fared.  From 2006 to ‘08, he had three straight #1 albums, and no one really argued when he declared himself “King of the South.”  He’s also had three other Top Ten albums since 2001, and a fuckload of major hits: “Bring ‘Em Out,” “What You Know,” “Big Shit Poppin,” “Whatever You Like,” “Swagga Like Us,” “Live Your Life,” and “Dead And Gone.”  People also love having T.I.P. on their own songs, going way back to 2003 when Destiny’s Child called up him and Weezy for “Soldier” before either of them were running the South.  Other features on hits include “Shoulder Lean,” “My Love,” “I’m A Flirt,” “We Takin’ Over,” and “Fancy.”  He’s also helped launch a few careers for better or worse, like Young Dro’s and B.o.B.’s, and his influence is obvious on new Southern rappers like Big K.R.I.T.  His fall from the top recently is mainly cause he can’t keep his ass from violating parole.  In ‘07 MTV had him as the #2 MC in the Game, then #10 in ‘08, then off the list since, tho his protege B.o.B. clocked in at #9 this past year.  Note to T.I.: The biggest hit you ever had was a Lil’ Wayne rip-off.  You should also be copying how he manages his career while he’s locked up! 
6. NaS: Nasty was probably the toughest guy for me to place on this list.  In terms of sales and radio play, he’s way behind some of the guys below him, especially T.I. and Nelly.  However, he has had four Top Ten albums since 2001, his last two hitting the #1 spot.  He’s only had two legit hits in that time tho, way back in 2002 with “I Can” and “Made You Look” (tho “One Mic” is probably the best set of lyrics in hip-hop in this time period).  And even tho he’s not doing a lot of features, you get the sense that’s more because he doesn’t want to and everyone is too intimidated by him to ask.  He’s off doing his own thing with Damien Marley, and you gotta give him credit for succeeding at that when in theory it’s kind of a wacky idea.  Even tho he doesn’t have the sales or cash to prove it, most people kind of agree that he “won” the last great hip-hop feud, whne he destroyed Jay-Z on “Ether.”  Then Jigga siged him, go figure.  The real reason NaS gets the #6 spot tho is his influence.  The list of guys who have, within their own songs, listed him as the best rapper alive, in contention for the best rapper alive, someone who they strive to top, or someone who they feel is simply unbeatable, is amazing: Lil’ Wayne (“A Milli”), Eminem (“Square Dance”), 50 Cent (“Life’s On The Line”), Drake (“Thank Me Now”), J. Cole (“Villematic”) and even Jigga himself (“A Star Is Born,” tho pretty much everyone in history got props on that one).  It’s hard to say how much of NaS’ recent success is based on what he did in the 90’s, but it’s still undeniable that he has been one of the major players in rap for the past 10 years. 
5. 50 Cent: If Drake wasn’t my most controversial placement, it’s gotta be this one.  Without doubt, 50 Cent is and always has been one of the most polarizing figures in hip-hop.  However, there is simply no denying that nobody in hip-hop over the past 10 years had a higher peak than 50 in 2003.  Get Rich Or Die Tryin’ was probably the most successful rap debut ever, and it spawned more smash hits than you can probably remember, including “In Da Club,” which may be the most popular rap song of the past decade.  The Massacre wasn’t as big, but was still massive and took over radio for awhile as well.  The subsequent releases haven’t sold nearly as well, but still both made the Top Five.  I wonder how much different 50’s career would have been if he hadn’t made that shitty biopic.  It also didn’t help that the other 2/3 of his triumvirate (Em and Dre) went into hiding around the same time as the movie’s release and didn’t come back for 3 years. His features credits stil include more huge hits than most rappers could ever dream of having: “Magic Stick,” “How We Do,” “Hate It Or Love It,” “Crack A Bottle,” and “Down On Me,” to name the biggest. He’s also entirely responsible for launching the careers of Young Buck, Lloyd Banks and Game.  When people look back at the post-Pac/Biggie gangsta rap era, 50 Cent will stand out as the dominant figure in the time period.  Very few rappers can top that accomplishment.  
4. Eminem: If I made this list a year ago or a year from now, maybe Shady moves up a spot.  He definitely gets hurt because The Marshall Mathers LP falls just out of range.  Still, The Eminem Show still qualifies as one of the very best rap albums of the last 10 years, and there’s a gigantic list of hit singles to compensate for the three lackluster albums that nonetheless all sold a bagillion copies: “Without Me,” “Cleanin’ Out My Closet,” “Lose Yourself” (the challenger to “In Da Club” for greatest hip-hop song of the 2000’s), “Just Lose It,” “When I’m Gone,” “Shake That,” “Crack A Bottle,” “We Made You,” “Not Afraid,” and “Love The Way You Lie,” to name only the Top Tens.  Can’t forget the guest appearances on “Smack That,” “Forever” and “I Need A Doctor.”  Oh, and he stole the show as the only guest MC on what many consider the best rap album of the 2000’s, Jay-Z’s The Blueprint.  There’s no denying his respect from other MC’s in the game, and he helped blow up the third-biggest rapper to come along in his wake, 50 Cent.  Beyond that tho, his influence is not that obvious on other rappers, one of the main reasons he doesn’t crack the top three.  Also the fact that he disappeared from 2006 to 2009 and he’s on the verge of taking the “disparity between album sales and album quality” record away from Nelly.  MTV did name him the #1 Hottest MC of 2010, tho, after three straight years of not being on the list.  Even tho he’s been around awhile, he could conceivably climb higher on this list soon enough.
3. Jay-Z: Like Fab, Jigga benefits from the timing of this list.  The Blueprint, by far his best album since Reasonable Doubt, came out in September 2001.  Even tho Em outdoes on him on one of its tracks, the album as a whole helps push him a slot above Shady.  He’s also the only guy who can go head-to-head with Em in sales, having released six #1 albums in the past 10 years despite briefly “retiring” in 2003.  Jigga also has nine Top Ten singles to his name since 2001, as well as five others as a featured artist.  His influence on today’s rappers is topped only by Biggie Smalls’ on himself: simply put, there’s no Kanye West, 50 Cent, Fabolous, Drake or J. Cole without Jigga, to name a few.  He’s probably responsible for blowing up more names than anyone else on this list, including but not limited to Kanye West, Rihanna and J. Cole.  Watch The Throne’s significant advantage in quality over Em’s Bad Meets Evil release doesn’t hurt either.  The main knock on Jay is that it seems that more and more he’s relying on other artists to keep him relevant, whereas it used to be the other way around.  MTV doesn’t seem to think so tho, naming him the #2, 1, 2 and 7 Hottest MC of the year in reverse chronological order. 
2. Lil’ Wayne: Two questions:  Has anyone dominated radio to the extent Weezy has since 2007?  And was there any rap album release since 2003 that garnered as much hype and anticipation as The Carter III?  The answer to both questions is a resounding no.  Weezy has had six Top Ten albums since 2001 (including The Block Is Hot believe it or not, the only one not to make the Top Five.  Number bumps up to eight if you include his album with Birdman and the Young Money release), and like Eminem, even his crappy releases like Rebirth and I Am Not A Human Being still sell thanks to his name on the cover.  There’s also no denying his supremacy on the mixtape circuit since 2007.  He’s had a shitload of his own hit singles this past decade, but his real strength is on the number of features he’s made on legit hits.  I’m sure you can name at least five without blinking.  He’s also responsible for blowing up not one but both of the two biggest rappers to hit the scene in the past five years, Drake and Nicki Minaj.  Weezy topped the inaugural MTV Hottest MC list, fell to #3, rose to #2, and then dropped to #7.  While he was in prison.  Weezy’s ubiquity is a large source of the criticism aimed at him, but it also is the reason he is the second most important rapper of the past decade.  And by now you’ve probably guessed #1.
1. Kanye West: I honestly can’t think of anyone in the world with an ego both so large and so justifiable.  If you don’t count 808s as a rap album (and we shouldn’t; does he even rap on it?), you could make a legitimate case that every year that Kanye West has released a rap album, it was the best of the year.  Nothing in ‘04 touches College Dropout, nothing in ‘05 touches Late Registration, nothing in ‘07 touches Graduation, and nothing in ‘10 tops My Beautiful Dark Twisted Fantasy.  All of his albums except his first hit #1 (even 808s, and CD still hit #2).  Watch The Throne is about to do the same.  Plus he’s been turning out hit singles since 2003 virtually non-stop; I’d bet only Wayne has appeared on more.  And for that whole time period he’s been one of the most in-demand features artist as both rapper and producer.  His placements on MTV’s Hottest MC list? #5, #1, #4, #3, and probably #1 on the next installment (2010’s came out before MBDTF).
Perhaps even more importantly tho, Kanye West changed the rap game from the day he stepped onto its biggest stage with The College Dropout.  Remember, in 2004, rap was absolutely run by gangsta rappers.  Nobody except for the white boy Eminem could get anywhere without rapping about selling crack, toting gats and getting shot at.  Then Kanye comes along and drops an album about intrapersonal conflict, spending time in the hospital (from a car crash, not bullet wounds), and Jesus, and the game changes, instantly.  No one has had a bigger instant impact since Biggie.  Strictly stylistically, he is the most important influence on Lupe Fiasco, KiD CuDi, J. Cole and Drake, just for starters.  He’s also blown up more than his fair share of artists, including Lupe, CuDi, John Legend, Big Sean, and even returned Common to the forefront of rap.  How long he stays at the top isn’t even a meaningful question, because barring some sort of catastrophic accident, he’s going to keep getting better, and barely anyone could touch him in the first place.  No, the real question is how long until we have to seriously consider him one of the five greatest rap artists of the post-Rakim era (it’s not fair to compare today’s artists with Run-DMC, Public Enemy or Rakim because it’s simply impossible to shape the art like they did in its developmental stages).  Right now, the list goes 2Pac, Biggie, Eminem, Jay-Z & Nas, and I don’t think many people question it.  But what more does Kanye have to do to get in there?  That’s the real question, because after listening to him outdo Jay on Watch The Throne, I can’t see how we can continue to leave him out. 
Anyway, there it is, hope you enjoyed.  Please leave comments about what you agree with, disagree with, or if you just wanna shit on me for clogging up your dashboard. 
Deuces
PS I came back to look at this months after the fact prompted by Luda’s new mixtape.  Totally forgot him.  So did everyone else I discussed this list with tho, so maybe “I got ho’s in different area codes” isn’t that legendary a lyric…

Watch The Throne obviously came out yesterday, and after listening to it, one of my friends sent out a tweet wondering who would have the throne “ten years from now the way Jay and Kanye have for the past 10 years.”  It got me thinking about who the best rappers of the last 10 years actually are.  And it ended up in a top 10 list.  Swag. 

How I made this list: Rappers were only judged on what they did in the past 10 years, since August 2001.  Important factors were how many records they sold, how much radio play they got, how much they influenced the rest of the game, and of course, a little bit of my own opinion.  Anyway, without further ado…

The Top 10 Rappers Of The Past 10 Years:

10. Drake: Right off the bat, I know this could be controversial.  Even tho he’s been releasing mixtapes since 2005, he’s only been relevant since 2009, when So Far Gone came out.  But goddamn has he been dominant in these past 3 years.  He had two legit hits off a mixtape, including the colossal “Best I Ever Had.”  He got an instant co-sign from three of rap’s titans on another big hit, “Forever,” on which he more than held his own.  He was featured on a slew of other hit singles, including “Money To Blow” and “Say Something,” and this was all before his album even dropped.  And oh shit what a release.  Thank Me Later was the best and most popular rap debut album since Kanye West’s The College Dropout in 2004.  Besides selling shitloads of copies, the CD had four legit hit singles that dominated the radio all summer.  Those hot features didn’t stop either: “Un-Thinkable,” “Right Above It,” “Aston Martin Music,” “What’s My Name?,” “Deuces (Remix)” and “I’m On One,” to name a few.  And even tho Drizzy’s only been a major player for a little bit, he’s already made his presence felt on the work of his piers.  He’s the main reason that The Weeknd is currently blowing up, and fellow new schoolers J. Cole and Big Sean make references to him repeatedly in their verses.  MTV named Drizzy the #3 Hottest MC in the Game in 2009 and #4 in 2010, so there’s no denying his importance since he’s blown up.  The only reason he’s so low is that he’s still a new-comer compared to the guys above him on the list.  With the release of Take Care looming in October and some of those dudes seeing their stars fading, however, Drizzy is better poised to make a run up this list than anyone else in rap.  (PS I promise most entries won’t be this long; this was just the one that needed the most explanation)

9. Nelly: Remember Nelly?  The guy who was battling with Eminem nine years ago to be the most popular rapper on the planet?  Well, needless to say, his luster has lost some of its shine.  He’s released five albums since 2001, but each has sold less than the one before it.  Likewise, he had four humongous hits in 2002 and ‘03 (“Hot In Herre,” “Dilemma,” “Air Force Ones,” “Shake Ya Tailfeather”) but only four since (“My Place,” “Over And Over,” “Grillz,” “Just A Dream”).  People have pretty much ceased to seek him out as a featured artist (Drake certainly wrecks him in this category already).  There aren’t exactly many guys out there today quoting him in their lyrics or even sounding much like him (CuDi’s really the closest one, bizarrely).  He’s been completely absent from MTV’s Hottest MCs list since its inception in ‘07 if that gives you any perspective.  But still, 10 times platinum is 10 times platinum, which is what he’s gone since 2001. 

8. Fabolous: Fab’s first album came out in September 2001 (the same day as The Blueprint and 9/11 actually) so he really benefits from the timing of this list more than anyone.  He’s never been in contention for best rapper alive, but all five of his albums peaked as high or higher than the one before it (his last one hit #1) and he’s also produced a string of consistent hits.  He also is a major player on the mixtape circuit, with There Is No Competition 2 being arguably the best of 2010 (I put it #2 after Friday Night Lights).  He’s not the most in-demand features artist, but he’s still popped up on a few notable hits, like “Say Aah” and “Deuces (Remix).”  Given the trajectory of his career I can see him moving up above the next guy after the release of Loso’s Way 2, but not much higher.  He’s clocked in once on MTV’s Hottest MCs list, at #8 in ‘09, but expect him to return when they release the next one.  I think he’s among the most under-appreciated guys in the game. 

7. T.I.: I originally had him and Fab reversed, but I moved Tip up when I looked at how his albums fared.  From 2006 to ‘08, he had three straight #1 albums, and no one really argued when he declared himself “King of the South.”  He’s also had three other Top Ten albums since 2001, and a fuckload of major hits: “Bring ‘Em Out,” “What You Know,” “Big Shit Poppin,” “Whatever You Like,” “Swagga Like Us,” “Live Your Life,” and “Dead And Gone.”  People also love having T.I.P. on their own songs, going way back to 2003 when Destiny’s Child called up him and Weezy for “Soldier” before either of them were running the South.  Other features on hits include “Shoulder Lean,” “My Love,” “I’m A Flirt,” “We Takin’ Over,” and “Fancy.”  He’s also helped launch a few careers for better or worse, like Young Dro’s and B.o.B.’s, and his influence is obvious on new Southern rappers like Big K.R.I.T.  His fall from the top recently is mainly cause he can’t keep his ass from violating parole.  In ‘07 MTV had him as the #2 MC in the Game, then #10 in ‘08, then off the list since, tho his protege B.o.B. clocked in at #9 this past year.  Note to T.I.: The biggest hit you ever had was a Lil’ Wayne rip-off.  You should also be copying how he manages his career while he’s locked up! 

6. NaS: Nasty was probably the toughest guy for me to place on this list.  In terms of sales and radio play, he’s way behind some of the guys below him, especially T.I. and Nelly.  However, he has had four Top Ten albums since 2001, his last two hitting the #1 spot.  He’s only had two legit hits in that time tho, way back in 2002 with “I Can” and “Made You Look” (tho “One Mic” is probably the best set of lyrics in hip-hop in this time period).  And even tho he’s not doing a lot of features, you get the sense that’s more because he doesn’t want to and everyone is too intimidated by him to ask.  He’s off doing his own thing with Damien Marley, and you gotta give him credit for succeeding at that when in theory it’s kind of a wacky idea.  Even tho he doesn’t have the sales or cash to prove it, most people kind of agree that he “won” the last great hip-hop feud, whne he destroyed Jay-Z on “Ether.”  Then Jigga siged him, go figure.  The real reason NaS gets the #6 spot tho is his influence.  The list of guys who have, within their own songs, listed him as the best rapper alive, in contention for the best rapper alive, someone who they strive to top, or someone who they feel is simply unbeatable, is amazing: Lil’ Wayne (“A Milli”), Eminem (“Square Dance”), 50 Cent (“Life’s On The Line”), Drake (“Thank Me Now”), J. Cole (“Villematic”) and even Jigga himself (“A Star Is Born,” tho pretty much everyone in history got props on that one).  It’s hard to say how much of NaS’ recent success is based on what he did in the 90’s, but it’s still undeniable that he has been one of the major players in rap for the past 10 years. 

5. 50 Cent: If Drake wasn’t my most controversial placement, it’s gotta be this one.  Without doubt, 50 Cent is and always has been one of the most polarizing figures in hip-hop.  However, there is simply no denying that nobody in hip-hop over the past 10 years had a higher peak than 50 in 2003.  Get Rich Or Die Tryin’ was probably the most successful rap debut ever, and it spawned more smash hits than you can probably remember, including “In Da Club,” which may be the most popular rap song of the past decade.  The Massacre wasn’t as big, but was still massive and took over radio for awhile as well.  The subsequent releases haven’t sold nearly as well, but still both made the Top Five.  I wonder how much different 50’s career would have been if he hadn’t made that shitty biopic.  It also didn’t help that the other 2/3 of his triumvirate (Em and Dre) went into hiding around the same time as the movie’s release and didn’t come back for 3 years. His features credits stil include more huge hits than most rappers could ever dream of having: “Magic Stick,” “How We Do,” “Hate It Or Love It,” “Crack A Bottle,” and “Down On Me,” to name the biggest. He’s also entirely responsible for launching the careers of Young Buck, Lloyd Banks and Game.  When people look back at the post-Pac/Biggie gangsta rap era, 50 Cent will stand out as the dominant figure in the time period.  Very few rappers can top that accomplishment.  

4. Eminem: If I made this list a year ago or a year from now, maybe Shady moves up a spot.  He definitely gets hurt because The Marshall Mathers LP falls just out of range.  Still, The Eminem Show still qualifies as one of the very best rap albums of the last 10 years, and there’s a gigantic list of hit singles to compensate for the three lackluster albums that nonetheless all sold a bagillion copies: “Without Me,” “Cleanin’ Out My Closet,” “Lose Yourself” (the challenger to “In Da Club” for greatest hip-hop song of the 2000’s), “Just Lose It,” “When I’m Gone,” “Shake That,” “Crack A Bottle,” “We Made You,” “Not Afraid,” and “Love The Way You Lie,” to name only the Top Tens.  Can’t forget the guest appearances on “Smack That,” “Forever” and “I Need A Doctor.”  Oh, and he stole the show as the only guest MC on what many consider the best rap album of the 2000’s, Jay-Z’s The Blueprint.  There’s no denying his respect from other MC’s in the game, and he helped blow up the third-biggest rapper to come along in his wake, 50 Cent.  Beyond that tho, his influence is not that obvious on other rappers, one of the main reasons he doesn’t crack the top three.  Also the fact that he disappeared from 2006 to 2009 and he’s on the verge of taking the “disparity between album sales and album quality” record away from Nelly.  MTV did name him the #1 Hottest MC of 2010, tho, after three straight years of not being on the list.  Even tho he’s been around awhile, he could conceivably climb higher on this list soon enough.

3. Jay-Z: Like Fab, Jigga benefits from the timing of this list.  The Blueprint, by far his best album since Reasonable Doubt, came out in September 2001.  Even tho Em outdoes on him on one of its tracks, the album as a whole helps push him a slot above Shady.  He’s also the only guy who can go head-to-head with Em in sales, having released six #1 albums in the past 10 years despite briefly “retiring” in 2003.  Jigga also has nine Top Ten singles to his name since 2001, as well as five others as a featured artist.  His influence on today’s rappers is topped only by Biggie Smalls’ on himself: simply put, there’s no Kanye West, 50 Cent, Fabolous, Drake or J. Cole without Jigga, to name a few.  He’s probably responsible for blowing up more names than anyone else on this list, including but not limited to Kanye West, Rihanna and J. Cole.  Watch The Throne’s significant advantage in quality over Em’s Bad Meets Evil release doesn’t hurt either.  The main knock on Jay is that it seems that more and more he’s relying on other artists to keep him relevant, whereas it used to be the other way around.  MTV doesn’t seem to think so tho, naming him the #2, 1, 2 and 7 Hottest MC of the year in reverse chronological order. 

2. Lil’ Wayne: Two questions:  Has anyone dominated radio to the extent Weezy has since 2007?  And was there any rap album release since 2003 that garnered as much hype and anticipation as The Carter III?  The answer to both questions is a resounding no.  Weezy has had six Top Ten albums since 2001 (including The Block Is Hot believe it or not, the only one not to make the Top Five.  Number bumps up to eight if you include his album with Birdman and the Young Money release), and like Eminem, even his crappy releases like Rebirth and I Am Not A Human Being still sell thanks to his name on the cover.  There’s also no denying his supremacy on the mixtape circuit since 2007.  He’s had a shitload of his own hit singles this past decade, but his real strength is on the number of features he’s made on legit hits.  I’m sure you can name at least five without blinking.  He’s also responsible for blowing up not one but both of the two biggest rappers to hit the scene in the past five years, Drake and Nicki Minaj.  Weezy topped the inaugural MTV Hottest MC list, fell to #3, rose to #2, and then dropped to #7.  While he was in prison.  Weezy’s ubiquity is a large source of the criticism aimed at him, but it also is the reason he is the second most important rapper of the past decade.  And by now you’ve probably guessed #1.

1. Kanye West: I honestly can’t think of anyone in the world with an ego both so large and so justifiable.  If you don’t count 808s as a rap album (and we shouldn’t; does he even rap on it?), you could make a legitimate case that every year that Kanye West has released a rap album, it was the best of the year.  Nothing in ‘04 touches College Dropout, nothing in ‘05 touches Late Registration, nothing in ‘07 touches Graduation, and nothing in ‘10 tops My Beautiful Dark Twisted Fantasy.  All of his albums except his first hit #1 (even 808s, and CD still hit #2).  Watch The Throne is about to do the same.  Plus he’s been turning out hit singles since 2003 virtually non-stop; I’d bet only Wayne has appeared on more.  And for that whole time period he’s been one of the most in-demand features artist as both rapper and producer.  His placements on MTV’s Hottest MC list? #5, #1, #4, #3, and probably #1 on the next installment (2010’s came out before MBDTF).

Perhaps even more importantly tho, Kanye West changed the rap game from the day he stepped onto its biggest stage with The College Dropout.  Remember, in 2004, rap was absolutely run by gangsta rappers.  Nobody except for the white boy Eminem could get anywhere without rapping about selling crack, toting gats and getting shot at.  Then Kanye comes along and drops an album about intrapersonal conflict, spending time in the hospital (from a car crash, not bullet wounds), and Jesus, and the game changes, instantly.  No one has had a bigger instant impact since Biggie.  Strictly stylistically, he is the most important influence on Lupe Fiasco, KiD CuDi, J. Cole and Drake, just for starters.  He’s also blown up more than his fair share of artists, including Lupe, CuDi, John Legend, Big Sean, and even returned Common to the forefront of rap.  How long he stays at the top isn’t even a meaningful question, because barring some sort of catastrophic accident, he’s going to keep getting better, and barely anyone could touch him in the first place.  No, the real question is how long until we have to seriously consider him one of the five greatest rap artists of the post-Rakim era (it’s not fair to compare today’s artists with Run-DMC, Public Enemy or Rakim because it’s simply impossible to shape the art like they did in its developmental stages).  Right now, the list goes 2Pac, Biggie, Eminem, Jay-Z & Nas, and I don’t think many people question it.  But what more does Kanye have to do to get in there?  That’s the real question, because after listening to him outdo Jay on Watch The Throne, I can’t see how we can continue to leave him out. 

Anyway, there it is, hope you enjoyed.  Please leave comments about what you agree with, disagree with, or if you just wanna shit on me for clogging up your dashboard. 

Deuces

PS I came back to look at this months after the fact prompted by Luda’s new mixtape.  Totally forgot him.  So did everyone else I discussed this list with tho, so maybe “I got ho’s in different area codes” isn’t that legendary a lyric…

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